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Japanese-American photographer Hiroshi Sugimoto has produced several series
of works, but perhaps his most sublime images occur when he turns his lens
on old movie palaces and drive-ins.
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He shoots his photographs while a real film is being projected on the screen, timing the length of his exposure to the length of the film. So if a movie is two hours long, that is the length
of his photographic exposure.
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His is a careful science: in the finished photographs, the movie screen is
entirely white, and a bit blurry around the edges. The white is the sum
total of all the images of the entire projected film, which his camera has
dutifully recorded. Meanwhile, the beautifully preserved movie palace, or
serene drive-in, is perfectly, clearly visible.
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