|
Andy Jurinko Having grown up during the Golden Age of Baseball (1946-1950), Andy Jurinko paints some of the most inspiring moments of his childhood, and of baseball history: Bobby Thompson’s legendary home run and the famous victory of the Brooklyn Dodgers in the 1955 World Championship. The artist has also painted hundreds of player portraits, from Gil Hodges to Frank Malzone. Jurinko studied at the Philadelphia College of Art, and his work is in the collections of the Boston Red Sox and ESPN. |
| |
|
Stephen Cox
Stephen Cox’s abstract paintings and drawings seem to vibrate in the web of tiny brushstrokes that make up their tight compositions. Each piece is constructed from even-toned layers of oil paint applied quickly to the canvas. The artist emphasizes intentional movement in his work: “The visual structures that I create are controlled chaos.” Cox has exhibited in galleries in New York City as well as in Washington D.C. and Maryland.
|
| |
|
Midori Curtis Japanese artist Midori Curtis uses printmaking techniques to create her unique works on paper. "My work reflects memories of my Japanese past and the frenetic present of New York City life.” She uses Chine-colle, an old European technique “to merge two or more different materials, such as plastic and natural objects.” Curtis received her M.F.A. from Columbia University. Her work belongs to many corporate and public collections such as the collection of the Metropolitan Museum of Art, Calvin Klein Cosmetics, British Airways and Gotham Capital.
|
| |
|
Sandra Caplan Collecting objects from all over the world, Sandra Caplan creates intricate and detailed still-life paintings of flowers, antique vases and sentimental objects situated in soft, sunny landscape settings. Caplan studied at the Yale University School of Art and has shown her artwork in New York. Her work belongs to several corporate collections including Boston Mutual Life Insurance.
|
| |
|
Richard Gumbar
One subject that consistently captures the attention of artist Richard Gombar is the scenery he passes on his daily commute. It has inspired a series of tank paintings that depicts a recurring scene of twin industrial structures at various times of day and season. Returning to the same subject many times "reinforces a sense of history, of continuity [and] of being rooted." Gombar studied at the Pratt Institute in New York and has exhibited his work at the Aldrich Museum of Contemporary Art, the Delaware Agricultural Museum and in galleries in New York City.
|
| |