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Born in 1955 in Rockville Center, NY, United States
1987, Empire State College, New York, NY
1979, B.F.A., University of Buffalo, Buffalo, NY
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"LIGHTNING CAMERA ACTION:
For over a decade, I've been photographing lightning striking New York City's prominent buildings and bridges from a loft and rooftop on the Brooklyn waterfront. My studio is on the fourth floor of the neighborhood's highest structure, an old factory building located on the inlet of Newtown Creek and the East River. The former giant industrial complex offers a strategic vantage point overlooking the vast artificial valley of Long Island City and East River, surrounded by the mountainous wall of the Manhattan Skyline and Queensboro Bridge. The panoramic view affords a rare opportunity to observe, study, and photograph the uncanny power and disturbing beauty of lightning. Seldom seen is this awesome clash between the natural forces of weather and artificial cityscape. That the city's buildings and bridges, considered the most developed real estate in the world, are dwarfed on a massive scale by the architecture of lightning, presents awakening insight. Even as the security of modern sophisticated technology surrounds us, there are still random moments when everything is still vulnerable to the uncontrollable forces of nature.
All of the photos were taken at night, entirely without the use of filters. Color differences in the 35mm slides are mainly caused by light reflecting from the city onto the various weather systems. Exposures are approximately thirty seconds to one minute and contain a single lightning display. Sometimes a wide angle lens was used because of close proximity of the bolts to the camera.
Surrounded by ageless myths and legends, lightning triggers a basic, inherent fear in all of us. Almost everyone's had a near encounter, reminding them of their vulnerability. It's vibrating aftershock leaves us with a feeling of awe and humility and the realization that we are all a small segment of the huge natural order of things. Perhaps lightning is nature's way of trying to reclaim her terrain, striking back at civilization for its arrogance and abuses against the environment. Man invades the landscape, building his concrete structures higher and higher; nature lashes back, sending down bolts of electricity to the earth. It's a desperate attempt to maintain sovereignty over her domain, fending off man's encroachment. The documentation of this historic battle, in a place where the most extremes clash together, is what makes photographing lightning striking New York City so compelling. Andy Warhol suggested that good art imitates nature; taken one step further, the best art is nature."
Greg Geffner, July 2000
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Selected Solo Exhibitions
- 2000: Baby Jupiter, New York, NY, 3D Stereoscopic Light Box Transparencies
- 1997:
NY Hall of Science, New York, NY, Lightning Photographs
Liberty Science Center, Jersey City, NJ, Lightning Photographs
- 1996: Hudson River Museum, Yonkers, NY, Lightning Photographs
- 1994: O.K. Harris, New York, NY, Lightning Photographs
- 1991: Wake Forest University, Winston-Salem, NC, 3D & 2D Light Painting Photographs
- 1988: Atrium @ 575 5th Ave., New York, NY, 80 Light Painting Projections
- 1987: St. Marks Gallery @ Limelight, New York, NY, Light Painting Photographs
- 1980: Center City Philadelphia Public Library, Philadelphia, PA, Sculptor's Drawings
- 1978: University of Buffalo, Buffalo, NY
Selected Group Exhibitions
- 2000: Hudson Guild, New York, NY
- 1999:
White Columns, New York, NY, Outer Boroughs
Jacobi Hospital, Bronx, NY, Become A Super Being
Pleiades Gallery, New York, NY
- 1998: Deutsches Museum, Munich, Germany, Electric Energy Exhibit
- 1997: Waldorf Astoria, New York, NY, Explorers Club
- 1995:
Exit Art, New York, NY, Chess & Checkers and 3D Light Paintings
Fulton Ferry State Park, Brooklyn, NY, Exposure & Vulnerability
- 1993: Manhattan Psychiatric Center, New York, NY, Outdoor Sculpture
- 1992:
Germans van Eyck, New York, NY, W.F.M.U. Auction
New York University, New York, NY, 16th Annual Small Works
- 1990:
Pace University, New York, NY, Stereo/3D Imaging & Virtual Realities
Empire State College, New York, NY, Alter Ego
- 1986:
St. Marks Gallery, New York, NY, Poignant & Peculiar
Now Gallery, New York, NY, Micro
- 1985:
Printed Matter, New York, NY, Christmas Multiples
Minor Injury Gallery, Brooklyn, NY, Ego
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Selection of works from Greg Geffner
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the guestbook of Greg Geffner
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- MacGowan, Karl. “Lightning, Camera, Action.” Newsday. November 9, 1997.
- Seidel, Mitchel. “Artists Capture Nature's Tranquility.” Star Ledger. June 22, 1997.
- “Art of Science.” Museums New York. Spring 1997. p.48.
- Raynor, Vivian. “Nature & Art.” The New York Times. September 1, 1996. p.14.
- “Critic's Choice, Lightning Strikes.” Westchester Artsnews. July/August 1996. p.8.
- Magnifico, Laura. “Lightning Strikes Westchester.” Westchester County Weekly. July 25, 1996. p.16.
- Charles, Eleanor. “Westchester Guide.” The New York Times. July 14, 1996.
- “Greenpoint's Lightning Guide.” Waterfront Week. August 10, 1995. p.cover, 8-9.
- Keen, Richard A. Skywatch East, A Weather Guide. Golden: Fulcrum, 1992. cover photo.
- Patterson, Tom. “Standouts: W.F.U. Shows are Powerful.” Winston-Salem Journal. October 27, 1991. p.C4.
- “New Light on an Old Philosophy.” NY Newsday Magazine. March 11, 1990. p.38.
- Janney, Peter. “Through the Lens.” Manhattan Arts Magazine. April 1987.
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