Return to Homepage

Born in Pasadena, CA, U.S.A.


BFA, University of the Pacific

Classes at Lower East Side Printshop

Classes at School of Visual Arts



"I like paintings to offer the viewer a place of reflection. Since last summer I have been working on a series of paintings called From the Long Past into the Long Present. These paintings are landscapes, not taken from any specific place, not even a specific time of day, but imaged. I would like for these paintings to summon up the same kind of mental day-dreamedness that happens on long drives, where one is looking at the road but not thinking about the road. The road might imply a journey, but often a 'journey' in less literal terms, perhaps a mulling over, perhaps something deeper.

As for my painting technique, it involves using wet paint on very wet paper. I like what happens when the flow of the water helps to create the painting. I work hard to keep the freshness of the medium intact, the colors clear and un-muddied. And then I strive for a certain kind of rainy atmosphere, a phosphorous light, which is accomplished by the use of the water itself."

Virginia Hoge, October 1999

  • Solo Exhibitions
  • 2000: the Williamsburg Art Center, Brooklyn, NY, From the Long Past into the Present

  • 1986:
  • The Women's Building, Los Angeles, CA, Progress Ends the Drudgery

  • Los Angeles Contemporary Exhibitions Bookstore, Los Angeles, CA

  • Group Exhibitions
  • 1996-1999: Cultural Crossroads, Brooklyn, NY Artists of Fort Greene Annual Exhibition

  • 1998:
  • Williamsburg Art Center, Brooklyn, NY, Tibet

  • Essex Community College, Essex, NJ, Conversations: Women and Their Art

  • 1996:
  • Jacklight Gallery, New York, NY

  • The Bowery, New York, NY, Three Artists' Work on Paper

  • Brooklyn YMCA, Brooklyn, NY, Collaborations

  • 1991: Art in General, New York, NY, installation in which the fictional life of Oma Minion--medium and nudist--was re-created through objects, photographs, drawings and devices, installation

  • 1990: Epoché, Brooklyn, NY

  • 1989: Minor Injury Gallery, Brooklyn, NY, The Art of the Computer and Xerox Machine, curator

  • 1987: LAICA, Los Angeles, NY, Living Spaces, installation of paintings done on tablecloths, sheets and lamps.

  • 1986: Artemisia, Chicago, IL, Hexes

  • 1985:
  • Piezo Electric, Los Angeles, CA, Hang 10

  • The Art Motel Club 9, San Francisco, CA, mural painted on walls, sheets and lamps of old motel room.

  • 1984: The Cotton Exchange, LACE, Los Angeles, CA, installation of dresses and fans done in an old sweatshop.

  • 1983: Galleria by the Water, Los Angeles, CA

  • Selection of paintings from Virginia Hoge


    Read the guestbook of Virginia Hoge

    Sign the guestbook of Virginia Hoge


  • Resister, 1996, "Piece de Resistance". Review.

  • L.A. Weekly, 1987. Review.

  • L.A. Weekly, 1986. Review.

  • Artweek, 1986, "Domestic Imageries". Review.

  • L.A. Weekly, 1986, "Getting There". Review.

  • Spectacle Magazine, 1985. Review.

  • Art and Architecture, 1984. Review.