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Born in Philadelphia, PA, United States


1981, M.A., Bloomsburg University, Bloomsburg, PA

1974-1993, Art Prof.Susquehanna University Selingsgrove, PA

1961-62, Pennsylvania Academy of Fine Arts


Member of the Catherine Lorillard Wolfe Art Club

Member of the National Association of Women Artists (NAWA), NYC, since 2004



"When I am on lecture tours, or conducting workshops, or having show openings, people invariably ask me why I pursued a career in the fine arts and how I got into encaustic painting. My response to these questions is that as a professional artist I find art to be an exciting adventure in which you are constantly learning and discovering the many intricate relationships that art has with other disciplines. I have the joy not only of creating art, but also writing and lecturing about art. Also, it is truly an enriching experience for me to work with the encaustic medium and share my art and knowledge of encaustics with others.

The history of art shows clearly that artists learn from each other and form linkages for further explorations. Just as scientists learn from others and then proceed to their own experiments, so too do artists learn from others and then embark on their own experimental journeys. Although I have worked in charcoals, pen and ink, water colors, oils, acrylics, and many types of print making, my own artistic journeys have led me to encaustic painting. This occurred when a dedicated professor in my Masters Degree program suggested that I try encaustic painting.

The ancient art of encaustic painting involves mixing dry pigments with pure beeswax, painting with this mixture, and then 'fixing' the painting with a heat source. This 'fixed' painting is then polished with a soft cloth or polishing wheel. I now work almost exclusively in this medium because of its incredible superior qualities such as depth and luminosity of colors, textural and tonal attributes, and durability and longevity. The finished encaustic painting requires very little maintenance, and it is virtually impervious to normal environmental changes.

When painting in encaustics I endeavor to utilize many of the superior qualities of the medium. The luminosity of many of the encaustic colors lends an extra depth and feeling to paintings. Opalescent and iridescent colors add subtle hues to the work. Gold and metallic colors can also be used, which literally glow like an enamel when polished. These and a variety of other advantages of encaustics enable me to express my love of people, nature, and my spiritual feelings. Encaustic painting is very versatile, and affords the artist many modes of expression.

Working in encaustic painting has led me into further study of disciplines in many phases of the art field. I continue learning in many different areas of study including chemistry, the design and implementation of new tools and equipment, and the research of the early artists and writers of encaustic painting. And sharing these newly found insights with others continues to provide me with much happiness. Thus, a career in art has given me a meaningful and purposeful life.

Ralph Waldo Emerson sums up my feelings about art and why I have made it my life's work:

'Art should exhilarate…awakening in the beholder the same sense of universal relation and power which the work evinced in the artist, and its highest effect is to make new artists."

Dorothy Masom, January 2000

  • Solo Exhibitions
  • 2006: Anderson Art Center, Anderson, SC

  • 2005: The Governor's Club, West Palm Beach, FL

  • 2004: Town Hall Gallery, South Palm Beach, FL

  • 2003: Court House Cultural Center, Stuart, FL

  • 2001: Court House Cultural Center, Stuart, FL

  • 1999: Lighthouse Art Center, Tequesta, FL

  • 1997: Doshi Center for Cont. Art, Harrisburg, PA

  • 1996: Washington Theological Union, Washington DC

  • 1993: Susquehanna University, Selinsgrove, PA

  • 1991: Bloomsburg University, Bloomsburg, PA

  • 1990: Bucknell University, Lewisburg, PA

  • 1985: St. Peter's Church, New York, NY

  • Group Exhibitions
  • 2007:
  • Anderson Art Center, Anderson, SC

  • Marco Island Gallery, Marco Island, FL

  • 2005: Northwood University, Palm Beach, FL

  • 2004: Northwood University, Palm Beach, FL

  • 2002: Armory Art Center, Palm Beach, FL

  • 2000: Artists' Guild, FL, Millennium Show

  • 1999:
  • Hilton Head National Exhibition, South Carolina

  • Cornell Museum, FL, Inspirations 99

  • Catharine Lorillard Wolfe Art Club

  • 1998: Susquehanna Art Society, PA


  • Seacoast Bank, Palm Beach, FL

  • Carolina First Bank, Anderson, SC

  • Susquehanna University, Selinsgrove, PA

  • Bloomsburg University, Bloomsburg, PA

  • Lock Haven University, PA

  • Senshu University, Kanagawa, Japan

  • Selection of paintings from Dorothy Masom


    Read the guestbook of Dorothy Masom

    Sign the guestbook of Dorothy Masom


  • 2007, Purchase Award, Marco Island Gallery, Marco Island, FL

  • 2005, 1st Place, Northwood University Gallery, Palm Beach, FL

  • 1993:
  • President's Award, Catharine Lorillard Wolfe Art Club

  • Best in Show, Susquehanna Art Society, Juror: Clement Greenburg

  • 1992, First Prize, Harrisburg Art Association

  • 1984, National Award for her fifteen encaustic paintings Stations of the Cross, International Faith Forum


  • Read what the press is saying about Dorothy Masom

  • Hoffend, David. "Dorothy Masom." Enkaustikos!. August, 1998. p.1-2.


  • Books and articles authored by the Artist:
  • Featured artist chapter in "The Painter's Workshop" by Pat Dews in 2003.

  • Ms. Masom has written an article published in The Artist's Magazine in 2003.

  • Article by Masom, Dorothy. Encaustic Painting. 1989, Burgess Publishing.

  • Masom, Dorothy. Encaustic Painting. 1989, Burgess Publishing.

  • Ms. Masom has written two lead chapters in The Artworld and It's Audience: Art as a Kaleidoscope Haven Publications, Inc., NY.

  • Ms. Masom has written articles in both The Artist's Magazine in 1985 and in Disegnare and Dipingere in 1989.