Return to Homepage

Born in 1947 in Worchester, Masachusetts, US

1971, MA Fine Arts: Painting & Sculpture, Cranbrook Academy of Art, Bloomfield Hills, MI

1969, BA Fine Arts: Paining & Sculpture, Pratt Institute,Brooklyn, NY

1995-1996, Adjunct Painting Faculty, RI School of Design

1991, Resident Critic, Vermont Studio Center

1985-1990, "Vermont Artist's Week" Vermont Studio School

1978-1979, Visiting Assistant Professor, Dartmouth College, New Hampshire

1978, Visiting Assistant Professor, Brown University, Rhode Island

1976-1977, Assistant Professor of Painting, University of Minnesota

1973-1975, Painting Instructor, RI School of Design

1970, Cosanti Silt Pile #10 with Paolo Soleri, Architect, Cosanti Foundation, Scottsdale, Arizona


"Each of my paintings represents a crystalized chunk of formal experience, as well as being very personal at the same time. My paintings are earthy, rock-like and weighty, and yet they have in them the rhythm of the sea. I am a nature painter; the nature 'out there,' coupled with my own internal landscape. My 'inner' finds the equivalent 'out there.'

Paintings appear to be fast, instantaneous as an image to view, when really, they require sustained attention. Paint is placed and scraped until, through repetition, there is a sense of history alive with a will of its own. This is something that has occurred naturally, over time, as though the painting was a wall of an ancient city, beaten by rain and wind and sun; no more exchanges are necessary; a presence is recalling experience.

Through my study of color as an expressive, spatial force, I am an inventor. In the landscape, I study how light and shadow fall on the mountains in the sky. I take the magnitude of feeling I receive from the creation of all this beauty, and bring it to the canvas, where my process of creation becomes, through search, my own personal expression of thanks. The light in the landscape is never the same from day-to-day, moment-to-moment. I am always discovering new colors and color relationships. This is spiritual work, so needed in our material-conscious society. "

Lorna J. Ritz, September 1999



  • Solo Exhibitions

    1998:
  • University Gallery, University of Massachusetts, Amherst, "Fine Arts Center Exhibit"
  • 1978:
  • List Art Building, Providence, Rhode Island, "Brown University Exhibit"
  • 1976:
  • Berkeley Divinity Center New Haven, Connecticutt, "Yale University Exhibit"
  • Group Exhibitions

    1999:
  • National Biennial,Portland Museum of Art, Maine
  • 1998:
  • National Biennial, Portland Museum of Art, Maine,
  • 1994:
  • Bowery Gallery,New York, NY, "National Competition"
  • Hillyer Gallery,Smith College, Massachusetts
  • 1991:
  • Mona Bismark Foundation,Paris, France, "Lacoste Faculty Exhibition"
  • 1984-1993:
  • International Embassies, Washington, DC, "Art in Embassies Program"
  • 1982:
  • Hood Museum at Hopkins Center, Dartmouth College, New Hampshire, "Regional Selections"
  • 1974:
  • Woods-Gerry Mansion, Rhode Island, School of Design, "Museum of Art Faculty Show"
  • Corporate & Private Collections
  • Bank of Boston & International Bank of New England

  • Mount Holyoke College Art Museum

  • High Voltage Engineering, Shrafts Center, Boston

  • Biogen Corporation, Cambridge, Massachusetts

  • Anderson Museum of Contemporary Art, New Mexico

  • Hale & Dorr Law Firm, Boston, Massachusetts

  • Selection of paintings from Lorna J. Ritz


    Read the guestbook of Lorna J. Ritz

    Sign the guestbook of Lorna J. Ritz


  • Pollack-Drasner Foundation Grant Award, New York, NY - 1997, 1990
  • Grant Award: U.S. Information Agency, Massachusetts Partners of the Americas to Colombia, 1990
  • Esther & Adolph Gottlieb Foundation Emergency Grant Award, New York, NY, 1988
  • Grant Award: U.S. Information Agency, Vermont Partners of the Americas to Honduras, 1983
  • Artist-in-Residence Grant, Roswell Museum Art Center, New Mexico, 1975

  • Art New England: "University Gallery, Fine Arts Center", by Sara London, June 1998, Art New University of Massachusetts, Amherst